Saturday, August 23, 2008

Cover Of The Weekend: Stereophonics with Oasis "I'm Only Sleeping" (Beatles)


If you haven't already happened upon this track, then, well, there's no time like the present to check it out!

It's Oasis performing an acoustic rendition of "I'm Only Sleeping" with Stereophonics frontman Kelly Jones.

I'm not a huge fan of the whole "unplugged" format, but this is quite nice, actually!

While it is no great secret that Oasis wear their love for the Fab Four on their collective sleeve, Stereophonics are no strangers to covering the Beatles, contributing a version of "Don't Let Me Down" to the I Am Sam soundtrack.

In '07, they also recorded "Sgt Pepper's Lonely Hearts Club Band Reprise" for a BBC Radio documentary celebrating the 40th Anniversary of the release of Sgt. Pepper's.

Enjoy!

Stereophonics with Oasis - I'm Only Sleeping

Stereophonics - Sgt. Pepper's Lonely Hearts Club Band Reprise

Friday, August 15, 2008

Friday Fun! Stump Amazon, Part Two

Since last week's attempt to "Stump Amazon" was unsuccesful, it did yield some intriguing results...such as an assortment box o' condoms and his 'n' her vibrating nipple suction cups. So, I figured I'd make "Stump Amazon" a weekly Friday feature here at HAW.

Here are today's surprising finds at Amazon (click images for product details):

Rather Unflattering Deborah Harry Poster (although if she'd worn this outfit in 1984, I'd have never left my bedroom):

$24.99 IN STOCK NOW
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Fake/Dummy Security Camera (for those occasions when you just want them to think you have a functional surveillance system):

$18.95 IN STOCK NOW
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Wanna let your inner retro bad-ass out?
Eight-Track Tape Player Belt Buckle:

$12.95 IN STOCK NOW
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Ever wondered what they call irregular Jelly Belly jelly beans? Belly Flops, of course.
Belly Flops 2 lb Bag:

$8.00 IN STOCK NOW
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Halloween is just around the corner...

Pair of Clown Shoes, Adult:

$22.99 IN STOCK NOW
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Need, like, a dozen fake moustaches? We got ya covered!
12 Fake Moustaches:

$12.99 IN STOCK NOW
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Ace Frehley KISS Overhead Mask:

$84.99 IN STOCK NOW

New Oasis Tracks


Here are three advance tracks from Oasis' forthcoming album, Dig Out Your Soul, due October 7th.

Falling Down
The Shock Of The Lightning
Ain't Got Nothin'

Having spent the day listening to the tracks, I have to say I am digging the elegiac "Falling Down" more than lead-off single "The Shock Of The Lightning". Of course, I've come to appreciate Noel's vocals more than Liam's over the years and the song is just a nice mid-tempo track that fits nicely in the middle of the album.

"Shock", on the other hand, seems much too Pro-Tooled, from the opening drum intro to Liam's vocals. Oasis is a band that benefits from a big, fat production with a lot of room sound. To my ears. it has all the spaciousness of a song cut in a New York City studio apartment - great if its a Lisa Loeb album. Oasis? Not so much.

"Ain't Got Nothin'" is a really cool 60's pop nugget that makes a better choice for a single, as it would stand out nicely from everything else on the singles scene.

So, Whadda you think of the new cuts?

Pre-Order Today!

Cover Of The Day: All-American Rejects and Fall Out Boy "Good Times Roll" (The Cars)

Two of today's hottest hitmakers (sigh) showing, at the very least, some good taste in cover material.

The All-American Rejects and Fall Out Boy momentarily joined forces during MTV's NYE 2006 festivities to rock this classic Cars tune.

Enjoy!

Good Times Roll

Jennifer Jason Leigh in "Miami Blues"



Ever just sat down to watch a movie because it was the only thing on and end up having it affect you in a way you never expected?

I'm sure you have.

I did just a few minutes ago. It was a little after 1AM and I found myself on the verge of sleep, but still kinda wired after a busy day. Truth be told, I could have just watched the On-Demand rebroadcast of today's Cubs game (an 11-7 victory over Atlanta) and zonked right out, but, instead, I decided to browse the list of free On-Demand movies and stumbled upon "Miami Blues".

Alec Baldwin plays a psychotic ex-con who arrives in Miami, kills a Hari Krishna at the airport, and then checks into a hotel where he requests a hooker from the bellhop accompanying him to his room.

The hooker, of course, is played by Jennifer Jason Leigh, who I know gets a lot of critical acclaim for her roles but very few have ever appealed to me.

Truth be told, I see her and I think "Fast Times At Ridgmont High".

So do you, admit it.

Yeah, she was also in "The Hudsucker Proxy", "Short Cuts", and "Single White Female", to name but a few.

Her performance in "Miami Blues" predates those movies, but comes eight years after "Fast Times". During that time, she showed a pasky predilection for dark roles like "Last Exit To Brooklyn", where she plays - gasp! - a prostitute.

Her performance in "Miami Blues" is most striking, as she finds herself in the same room with not just another "john", but an unpredictable psychopath. We see his volatility, but she sees his heart, his good points, and, before you know it, she has dropped her guard and smiles at him the way a woman smiles at a man when she starts to fall in love.

It's an odd pairing, to say the least. In this particular role, Baldwin has a tendency to chew the carpet, so to speak. Leigh holds her own in a breathtakingly restrained performance that speaks volumes. At various points throughout the movie, you are reminded that Baldwin is acting. Leigh, by stark contrast, makes you forget that she's acting at all.

One of the most beautiful cinematic experiences I've witnessed in a long time occurs when Baldwin, who has gone out and rented a furnished house for the two of them, shows her their new home. The shot of her approaching the house, taking it all in, brushing the sign with the house number on it as she comes up the front walk is filled with such purity and innocence, such serenity. You are sucked into the moment and pulled out of it just like she is when Baldwin boisterously tells her to come inside already.

Of course, the film soon chooses to concentrate on Baldwin's crime spree.

Seeing as how most films of this nature tend to follow a similar story arc, I don't think I'm spoiling too much for you by saying that things begin to not go so well for Baldwin's character.

After Baldwin meets his untimely demise on the kitchen table, Leigh tells Ward "I had to give him the benefit of the doubt because he has some good qualities. He always ate everything I ever cooked for him."

Ex-Saturday Night Live cast member Nora Dunn, who plays Ward's partner, expresses amazement at Leigh's character's innocence, asking, "Is she really Princess Not-So-Bright or is she just pretending?" while the camera cuts to a shot of Leigh on the verge of tears, sitting on the porch.

Her ability to portray a woman who has probably seen her fair share of troubles, but who still retains a childlike wonder is captured perfectly in that final moment and, again, you totally forget she's acting until the credits roll.

I came away quite moved by her performance and with a new appreciation of Jennifer Jason Leigh's talents. If you have the chance, I urge you to check out "Miami Blues" and let me know what you think.

Sunday, August 10, 2008

You've Got To Be Kidding Me...



Amazon.com sells condoms? Good to know. :)

In other words, I was not able to stump Amazon. I tried to think of something they couldn't possibly sell in a million years and typed it into the search box.

Further attempts to "stump Amazon" revealed that they also sell vibrating nipple suction cups...for men and women!

Wow.

Who knew?

Not me.

Note to self: $60 is the only thing separating me from a really fucking good time! :)

Cover Of The Day: Jon Brion "Voices" (Cheap Trick)


I remember the first time I caught Jon Brion at the Largo, an intimate venue in the heart of Hollywood. I knew very little about the guy other than the fact that he was in one of the later line-up's of Til Tuesday and Jellyfish.

What I saw and heard that night, blew my mind. In addition to being a one-man band, building songs layer-by-layer right in front of the audience, I was impressed by his encyclopedic knowledge of music. How could you not be impressed by an impromptu medley of Kinks songs? Not just one or two songs, mind you, but, like twenty - all woven together meticlously on the spot.

Brion, of course, has shown a certain fondness for Cheap Trick's "Voices" that I wholeheartedly applaud. In addition to seeing him perform the song at Largo on many an occasion, he recorded the tune for his solo album, Meaningless.

Here's a live version of the song from one of his Largo shows.

Enjoy!

Jon Brion - Voices

Friday, August 08, 2008

Six Pack: Lords Of The New Church


Where's the danger in rock 'n' roll these days?

It may seem tame by today's standards, but when Elvis came out of Memphis, he fuckin' scared people. Not the teenagers, of course. They loved every hip swivel and lip curl Presley could muster.

The Beatles? Hide your daughters.

The Stones were probably the first band to really bring the danger, though. With them, it was real. Altamont was proof of that. Not long after, of course, the band seemed to trade upon that reputation and, in doing so, became much less dangerous. I mean, after somebody dies at one of your shows, there's really nowhere to go from that point, but down.


Today, they're just a band playing for a bunch of yuppies reliving a past that they're convinced was edgy. The thing is, you could probably find most of these same faces at a Dave Matthews Band concert.

"What's your point, Darren?"

I'm glad you asked.

The Lords Of The New Church were probably the last dangerous band to come down the pike. They weren't trying to be bad-ass. They were bad-ass. I didn't see them until the original line-up had splintered and singer Stiv Bators was a coked-up mess (okay, when wasn't he a coked-up mess?). They'd been dropped by IRS Records and were playing dive joints, definitely on their last legs, but even then there was a sense of danger about them. Plus, you just had the feeling that the entire thing could come flying apart at any moment.

On that night, Stiv passed out after the third song and Brian James kicked the limp carcass every few seconds until Stiv woke up long enough to try swinging back. He somehow managed to prop himself up and slogged through the rest of the set as the dwindling audience watched in stoned silence. It wasn't a pretty sight.

It was nothing like the band that came charging out of nowhere in '82 with their seminal self-titled record. Fuck, the idea of ex-Dead Boy Bators teaming up with ex-Damned guitarist Brian James was all I needed to elicit a Pavlovian response from me. I bought the record and could barely wait to get home and slap the vinyl on my stereo. What I heard was sinister, thunderous, and, yes, dangerous.

It was rock 'n' roll played as if their lives depended on it. Backed by the stellar rhythm section of Dave Tregunna and Nicky Turner, Bators and James achieved a perfect mix of melody and mayhem. The band, of course, was not long for this world. After three albums for IRS, Tregunna split and, while the band continued recording for a few different European labels, the bloom was off the rose, so to speak.

Sadly, Bators died in 1990.

Method To My Madness
Holy War
Russian Roulette
New Church
Dance With Me
Black Girl White Girl

BONUS TRACK: Real Bad Time

I Kissed A Girl vs. I Kissed A Girl


Katy Perry - I Kissed A Girl


Jill Sobule - I Kissed A Girl

Okay, here's the thing...I dig Katy Perry's tune. Sure, she's way too "wink, wink, nudge, nudge...aren't I cute when I push the boundaries", but, musically, the tune kicks ass. I didn't really realize it until I was out at Grant Park helping set up the AT&T stage the day before Lollapalooza began. The tune was playing over the PA system - loudly - when it dawned on me how fucking great it sounded.

Still, from a lyrical standpoint, the song irks me, as it seems to glamorize that whole "Girls Gone Wild" mindset where a girl gets a couple drinks in her and suddenly she's tongue-kissing her sorority sisters.

This was never the way I planned
Not my intention
I got so brave, drink in hand
Lost my discretion

It's not what I'm used to
Just wanna try you on
I'm curious, for you
Caught my attention


Jill Sobule's song, which precedes Perry's by a good decade, never struck me as pandering the way Perry's version is convinced of it's own "taboo" factor. If anything, it is poignant in its honesty - matter-of-fact, like a diary entry never shared.

Jenny came over and told me 'bout Brad
"He's such a hairy behemoth," she said
"Dumb as a box of hammers
But he's such a handsome guy."

And I opened up and I told her 'bout Larry
And yesterday how he asked me to marry
And I'm not giving him an answer yet...
I think I can do better!

So we laughed
Compared notes
We had a drink
We had a smoke
She took off her overcoat...
I kissed a girl.
I kissed a girl.


Perry's version, by comparison, seems shouted from the rooftops, "Look At Me!", begging for acceptance from the cool kids.

It does rock, though.

Cover Of The Weekend: Frankie Goes To Hollywood "Born To Run" (yes, the Springsteen tune)


In going through a bunch of blank CDR's tonight, I came across this, uh, gem.

Frankie Goes To Hollywood are known for a lot of things, but certainly not for their prowess as a live band. Truth be told, they do a pretty good version of Springsteen's signature tune. I mean, they could have done it way more tongue-in-cheek (like I expected them to) and just wasted everyone's time, but they actually do this tune some major justice.

Listen to it for yourself and lemme know what you think.

Frankie Goes To Hollywood - Born To Run

Thursday, August 07, 2008

Robert Hazard, R.I.P.


It was with great sadness I learned of the passing of Robert Hazard yesterday. For a time, he was just absolutely HUGE on the burgeoning Philly scene that spawned an amazing slew of great, but nationally-underappreciated bands (too many to mention).

His EP and lone full-length LP ("Wing Of Love") for RCA garnered only moderate attention and he probably would have become just another talented footnote if not for a then-unknown Cyndi Lauper covering his song, "Girls Just Want To Have Fun".

I never cease to be amazed by the power of one song to change the world. While "Girls" may not have changed everyone's world, it certainly changed Cyndi's and Robert's.

Rest in peace, Robert.

Robert Hazard & The Heroes - Blowin' In The Wind

EDIT: My good buddy Zenon just sent along a higher-quality live recording of "Blowin' In The Wind"...check it out.

Cover Of The Day: Rage Against The Machine "Beautiful World" (Devo)


One of my fave Devo tracks (EVER!) performed by Rage Against The Machine. I've never been a huge Rage fan, but it is nice to see them show love to a really great song and, well, to show a little restraint, a little nuance, whatever.

Rage Against The Machine - Beautiful World

Beatles "A Day In The Life" Bass/Drum Tracks


First off, thanks to good friend Danny for sending this track my way.

"A Day In The Life" is probably my favorite Beatles song of them all. Sure, I do have my heavy weaknesses for "Norwegian Wood" - okay, more accurately, just about everything on Rubber Soul and Revolver. My feelings on Sgt. Pepper's Lonely Hearts Club Band as an album, are admittedly mixed (I do not find it to be the be-all and end-all album that most critics seem to believe it is...I mean, it's great, for a children's album, as is the much less-ambitious Magical Mystery Tour), but "A Day In The Life" is just one of those songs that continues to speak to me. Truth be told, even as a kid, I was ga-ga over the track and, as I steamroll through adulthood, the song just seems to keep right on giving.

Having said that, when Danny sent me this file the other day, I was completely unprepared for what I was about to hear. All these years of listening to this great song and I'd never really concentrated on McCartney's bass part to any large degree. Isolated, however, it's easy to be floored by his melodic genius.

Ringo's no slouch either, I might add. He's always been a drummer whose approach has been to serve the song first and foremost, but the way he goes about injecting his own personality at the same time is always done with great taste. Plus, the cat just never ceases to swing.

So, without further delay...here it is, "A Day In The Life" as you've probably never heard it before.

Enjoy!

A Day In The Life (Bass and Drums)

Wednesday, August 06, 2008

Cover Of The Day: Fergie (with Slash) "Sweet Child O' Mine"


It's one thing to cover a stone-cold rock classic, it's another to cover a stone-cold classic with one of the guys who made the song a classic in the first place. Fergie does her version of the GNR nugget "Sweet Child O' Mine" with none other than Slash on lead guitar. The occasion, of course, was Slash's Birthday Party in Vegas.

Enjoy!

Fergie w/Slash - Sweet Child O' Mine (link now fixed)

Tuesday, August 05, 2008

Favre Talk

[How quickly they forget...]

As someone who didn't believe for a second that Brett Favre's retirement would stick, I have been pretty shocked and disappointed by the level of venom spewed over his decision to come back.

I mean, I don't know the guy...at all...and I knew he was coming back. This, of course, makes the fact that those who do know him - the Packers organization, for example - were caught so off-guard by his decision to return.

Oblivious much?

Even more surprising is the stance the Packers' front office has taken. Their treatment of Favre has shown a complete lack of respect for the future Hall of Famer. Imagine if Michael Jordan had announced his decision to come out of retirement and the Bulls had said "No Thanks". Unimaginable, right? Exactly.

Fox writer and resident horse's ass Mark Kriegel, who is no doubt paid to stir things up, has taken the level of disrespect one step further with his recent column.

Kriegel attempts to draw attention to Favre's supposed lack of class, but succeeds only in revealing himself as one of the least classy guys in sports commentary. It isn't that calling Favre a "Redneck Hamlet" is the worst sin ever committed; it's that Kriegel sees everything Kavre has done as selfish and that he doesn't care about the Packers.

Um, Mark, hi, how ya doin'? I hate to break it to you, but Favre wanted to come back to the Packers. The Packers have all but literally slammed the door in his face. Not once, but repeatedly.

If the Packers were a woman, they'd be a psycho chick.

BRETT: I wanna come back and play football.

PSYCHO CHICK: YOU WANNA BE WITH SOMEONE ELSE?!?! HUH?!?! DO YA?!?! OVER MY DEAD BODY!!!

BRETT: No, I wanna play with the Packers.

PSYCHO CHICK: UH-UH, NOT INTERESTED!! FUCK YOU!!! I'VE MOVED ON!!!

The strange thing is there are people who should know better that don't see it that way. Writes Kriegel, "He's gone from being an icon to just another superstar, another guy who, despite the most earnest proclamations, puts himself above the team."

Uh, what?

Okay, Kriegel's an idiot. He's probably never liked Favre and has an ax to grind, or, at the very least, a job to keep so he rocks the boat to maintain readership.

What about the fans? The Packer faithful who've elevated Favre to iconic status? You'd think they'd be excited by the prospect of his return, right? You'd think they'd be up-in-arms over the treatment Favre has received from Packer execs, right?

Not so much.

Sure, there are those faithful fans who are excited about Favre's return, but the fact that more than a few Packer diehards have so willingly towed the "We've moved on" party line is yet another sign that the masses are asses. The Packers have been adamant about their decision to move forward with QB Aaron Rodgers and they've succeeded in convincing the Packer Nation that Favre's return throws a gigantic monkey wrench into their current plans.

When (notice that I didn't say "if") the Minnesota Vikings knock Rodgers and the Pack on their collective ass on September 8th, mark my words, cheeseheads en masse will begin demanding the heads of coach Mike McCarthy and CEO Mark Murphy on a platter.

The truth is that Rodgers is not capable of having the kind of season necessary to quiet the naysayers. Of course, the scrutiny his performance will receive is not at all fair, but it's unavoidable at this point. And, while McCarthy and Murphy deserve the backlash that's waiting for them just around the corner, Rodgers doesn't.

The only logical resolution to this whole debacle rests on Rodgers shoulders. Before today's scheduled news conference, he should walk into McCarthy's office, close the door behind him, and demand to be traded.

He won't, of course, and will therefore join the list of losers in this scenario, none of which have the last name of Favre.

Friday, August 01, 2008

U2 Three


After discovering U2 via their debut Island Records release, Boy, in 1980, yours truly then discovered they'd released a single prior to that on CBS Records.

That single, entitled Three, contained early (and arguably superior) versions of "Out Of Control" and "Stories For Boys", as well as a song called "Boy/Girl".

These songs have remained a relatively obscure part of the group's musical canon, unavailable in digital format. Until now, of course.

The recent deluxe re-issues of the first three U2 albums, each containing a bonus CD of non-lp material from each album's respective era, have brought many rare U2 cuts to light. More specifically, the deluxe version of Boy contains the tracks from the Three single!

Out Of Control
Stories For Boys
Boy/Girl

Buy BOY (Deluxe 2-Disc Re-Issue) Today!

Cover Of The Day (Part 2): Coheed and Cambria "Sister Christian"


C&C make this Night Ranger nugget their own...for what that's worth.

Sister Christian

Cover Of The Day: "Suspicious Minds"


Today's Cover Of The Day selection is one of the all-time great songs performed by Gavin Rossdale during Bush's glory days and then some years later by his wife Gwen Stefani's band, No Doubt.

Perhaps it was their love of this song that brought them together. Ah well, it's still a great song! :)

Gavin's acoustic version

No Doubt's version