Wednesday, July 30, 2008

Cover Of The Day: Noel Gallagher (Oasis) "To Be Someone" (The Jam)


One of my favorite Jam tunes done by a guy who doesn't get quite enough credit - in America, at least: Noel Gallagher from Oasis.

To Be Someone

His version is taken from a '98 gig in Chicago where he treated the audience to a tasty little acoustic set.

Ah, what the heck, here's a handful of additional tracks from that same show for your listening enjoyment:


Be Here Now
Acquiesce
D'You Know What I Mean?
Wonderwall
Supersonic
Don't Look Back In Anger
Roll With It
Stand By Me
Don't Go Away
Bonus Track:
Acquiesce (Noel Vocal, Chicago 1996 - US gig Liam couldn't be bothered to show up for)

Tuesday, July 29, 2008

Cover Of The Day: Billy Joel "A Day In The Life"


This is taken from his Masterclass appearance from 2001, a Storytellers-like performance of "A Day In The Life".

Elliot Smith's Either/Or for $2.99?! Hells yeah!


Either/Or

Darren's Accu-Weather Movie Reviews: The Dark Knight and Step Brothers


THE DARK KNIGHT

I was in no hurry to see the latest installment in the Batman canon, as such flicks are really nothing more than cinematic peer pressure - "Dude, you haven't seen The Dark Knight yet?!", "Hey, let's get like twenty of our closest friends and see it the day it comes out. We can wear costumes!!", etc.

Thanks to Heath Ledger's untimely passing, the hype-meter on this film was raised considerably, ensuring that most seeing the film would be too viewing watching a dead guy's final performance, for lack of a better term (and out of no disrespect to Ledger), to notice that the film itself was a steaming pile.

That's right, I said it. "The Dark Knight" is a steaming pile.

Anyone who can make sense of the story arc and give us a brief summary without apologizing for the screenwriter, the director, or any of the actors is a delusional twit.

See, there's just so much the makers of this film wanted to squeeze in that, even at 150 minutes, there was just no way to do so that made sense. That didn't stop them, though. See, they're counting on the fact that the millions of faithful movie-goers who paid good money to see the last Spider Man flick - and liked it (sigh) - will shit their pants at the fucking superiority of "The Dark Knight".

Never mind that the numerous twists and turns meant to keep us on our toes were either ridiculously predictible or inplausible.

Never mind that Batman's motorcyle was incapable of actually handling the way it was shown to handle on-screen.

Never mind that the Gotham City cop cars all had Illinois license plates (yeah, I know, the flick was filmed in Chicago, but we all know Gotham ain't in Illinois).

Never mind that the Joker's hints of who his next victims would be turned out to not always be accurate.

Never mind that the Joker's "inside man" was on-screen only long enough to be established as someone who stands next to Commissioner Gordon a lot.

Never mind that the faking of Gordon's death seemed a mere afterthought, as if a contractual disagreement had led to his untimely death and then, when things were worked out, he miraculously re-appeared alive and well.

Never mind that do-gooder Harvey Dent is a king-size wuss and that his transformation from crisp-and-clean-with-no-caffeine political poster-boy into bad-guy-with-only-half-a-face is as hamfisted as they come.

Truth be told, I didn't buy that Dent loved anything but the pursuit of justice and playing with the big boys, nor did I believe that Rachel Dawes loved him more than she loved Bruce Wayne, or that choosing to marry Harvey was anything less than settling for the runner-up. The insertion of such plot elements to elicit an "Awww" from the audience when Rachel dies (oops, spoiler), or an "Oh, it's on!" when Dent becomes Two Face is akin to listening to Dick Cheney talk. The condescencion is palpable.

Yeah, the film was pretty to look at. But, you know, so was "Dark City". In other words, dark and murky urban landscapes where evil may or may not lurk around the very next corner are always total eye candy, but why is it so freakin' hard for professionals who are paid to write and direct multi-million-dollar movies to come up with something that hasn't been photocopied to death already?

"Batman Begins" was a revelation in that regard. The entire first half of that film is a complete departure from what the average movie-goer expects a Batman film to be. By comparison, "The Dark Knight" is everything the average movie-goer expects a Batman film to be and, regretably, that's why it falls short.

GRADE: D-


STEP BROTHERS

No more sensible a plot than "The Dark Knight", but, in this context, it doesn't bother me. I have a really low tolerance for Will Ferrell's schtick. In my opinion, he's a complete one-trick pony. Those who have a Pavlovian response to the mere mention of his name, own the Blu-Ray version of "Stranger Than Fiction" even thought they don't yet own a Blu-Ray player, and can be heard telling anyone that will listen that all he needs is one great dramatic role to get the respect (and Oscer nomination) he so richly deserves are out of their pie-fucking minds.

Having said that, his one trick is put to great use in this film and watching he and John C. Reilly hurl put-downs at one another results in many laugh-out-loud moments.

My only fear going in was that all the funny parts of this movie were used in the previews. Thankfully, that fear was quickly put to rest.

GRADE: B-

Saturday, July 12, 2008

Jimmy Nicol, Lucky Bastard


If you're any kind of Beatle fan, then you're already familiar with the story of Jimmy Nicol.

Ringo came down with tonsilitis in '64 and was forced to miss some tour dates. Back then, of course, "the show must go on" was the rule rather than the exception and the band scrambled to find a replacement. Enter Jimmy Nicol (notice they didn't call Pete Best...hmm).

This is a live version of "I Saw Her Standing There" featuring Nicol.

He may have only been in the band a week, but I've gotta believe that his brief tenure in the most famous band in the world has probably got him laid a'plenty over the years. :)

"Yeah, baby, yeah!

Cover Of The Day (Part 3): Siouxsie & The Banshees "Helter Skelter"


Siouxsie & The Banshees turn in a very decent cover of one of my fave Beatles tracks. They're best known for making "Dear Prudence" their own on 1983's Nocturne, but they'd already tackled "Helter Skelter" on their blisteringly brilliant debut album, The Scream.

Helter Skelter

"..ain't no fuckin' dancer!"

Indeed.

Cover Of The Day (Part 2): Doro Pesch "White Wedding"


In keeping with today's theme of guitar-driven covers of 80's favorites, here is German metal priestess Doro Pesch with her cover of Billy Idol's "White Wedding".

This is from the Doro album Calling The Wild.

White Wedding

Cover Of The Day: Birthday Massacre "I Think We're Alone Now"


One of my fave bands doing a song that I used to like a whole lot before Tiffany did it. Their cover, of course, is pretty Tiffany-esque, but, thankfully, its full of blown-out guitars and such to make it a great tune to crank up in the car.

The tune is from their new Looking Glass EP, which you should definitely check out if you dig this tune.

Just sayin'.

I Think We're Alone Now

Friday, July 11, 2008

My Van Halen Story


A couple months after the release of the first Time Bomb Symphony CD, I was sitting around trying to figure out how to promote the thing. I had no money, of course, so a billboard on Sunset Blvd. was out of the question. Right around that same time, the Gary Cherone-fronted Van Halen had just released Van Halen III. Now, I wasn’t the biggest fan of their Van Hagar days, but one listen to VHIII had me missing Sammy Hagar and his bright yellow Hammer pants more than ever. I just could not believe that one of the greatest American rock bands of all time had been reduced to…VHIII.

That’s when the light bulb went on.

Next thing I know, my fingers are tapping away at the keyboard. Several wadded up sheets of paper later, I am staring at an official TBS press release offering a free copy of my new CD to anyone who sends me their unwanted copy of Van Halen III. I fax it off to a couple music-related publications, email it to another few websites and then sit back and wait. By wait, of course, I mean I promptly forgot about it because, quite frankly, most everything I’ve done seems to fall on deaf ears.

That’s the way it seems anyway.

This one was different, though. The story got picked up by Reuters, ABC News ran it in their entertainment section, and syndicated radio personality Mancow picked up the story and ran. Within days, I was waking up at ungodly hours to give interviews to radio stations back east.

It was a great stunt that led to some nice attention for the CD, which experienced a pretty good bump in sales for the next couple weeks.

Then, of course, the mail started flowing in. By mail I mean unwanted copies of Van Halen III. At first there were just a few. Then one day the mailman knocked on my door and asked for help unloading bag after bag of CD mailers.

Final count…over 1500 people sent me their copies of VHIII.

As promised, of course, I sent them free copies of my TBS CD. The expense of doing so, however, was pretty much equal to the profits from sales of the CD during that time. I then unloaded as many copies of VHIII as I could, but, by then, word was out and nobody wanted the thing new or used.

I basically broke even, but, in doing so, got the CD some attention.

I also got a call from Warner Brothers, telling me Eddie was not at all happy about the publicity stunt I’d pulled. Whatever.

A couple years later, I’m kicking it at the 24-hour Staples near my house, buying printer ink cartridges or something when I realize the guy in front of me in line is Eddie goddamn Halen. By way of ice breaker, I say “Hey, you probably get this a lot, but you look just like Eddie Van Halen.” He laughs, extending his hand and we start shooting the shit right there in the checkout line.

The cashier, of course, is waiting for a manager to approve a void or something so we’re there in line for a long time. Eddie and I keep right on talking. He tells me his studio’s being renovated and that he’s itchy to get recording again. I tell him about some recording equipment I’ve just purchased and then, get this…he offers to give me all of his leftover studio sound-proofing foam. Having just priced the stuff, I know it’s pricey – especially the good stuff. The stuff Eddie has is the good stuff and he’s giving it to me for free.

Fuck yeah!

So he gives me his number, tells me he lives just up the street (which I already knew), and tells me to swing by tomorrow. We actually walk out to the parking lot together, Eddie still chatting. Usually, I always feel I’m the one talking too much, but Eddie’s obviously in no hurry to get anywhere and we chat another ten minutes.

It was awesome.

Next day, I call the number and he tells me to come over. "When?", I ask. Now, man.

So I cruise down Coldwater Canyon, pull into the driveway of 5150, and knock on the door. Eddie escorts me down to the studio, shows me the boxes of foam still in their packaging (I’d been expecting a bunch of odds-and-ends in a trash pile), and says “Knock yourself out.”

It takes me three trips back and forth to haul it all to my car. On my way back to the car with the last of it, I see a bald head throwing a conniption fit in the driveway. The bald head belongs to none other than Alex Van Halen and he’s pissed because there is a strange car parked where he likes to park.

“You leaving?, he asks trying his best to not seem pissed, like I didn’t see him say “Fuck!”. I nod, take me sweet time getting in my car, then take my sweet time starting my car, and then back very very carefully out of the spot that Alex wants. I take great pleasure in checking the rearview mirror every few seconds to watch the look on his face grow more and more exasperated.

It was awesome.

So, there ya have it…my Eddie Van Halen story.

Here's a version of Panama from each of the VH singers through the years:

ROTH PANAMA (sorry for the less-than-ideal sound quality)
HAGAR PANAMA (sorry for the yellow pants...you can hear them!)
CHERONE PANAMA (sorry...just sorry)

Cover Of The Day: Julian Lennon and Roland Orzabal (Tears For Fears): "Stand By Me"


Okay, there are some of you out there who might think that yet another version of "Stand By Me" is downright unnecessary and, well, you might even be right.

And perhaps the most interesting this about this track may be that it features a duet between Roland Orzabal from Tears For Fears and Julian Lennon.

Of course, that isn't as odd a pairing as it may seem. TFF have recorded some very Beatlesque material ("Sowing The Seeds Of Love" anyone?) and, well, Julian Lennon will always be compared to his father, who also covered this tune.

Stand By Me

Thursday, July 10, 2008

Cover Of The Day: Courtney Love "Voices Carry"



Hot on the heels of Nirvana's cover of Kiss' "Do You Love Me?", I figured it made total sense to follow it up with the widow Cobain's spellbinding version of Til Tuesday's "Voices Carry".

Courtney Love-Voices Carry

Much like everything else she does lately, this one's a complete trainwreck. So, with that in mind, here's a live version of "Voices Carry" by the band that made the tune famous.

Til Tuesday-Voices Carry

Fleetwood Mac Live 1979


By the summer of 1977, you just couldn't find a bigger band than Fleetwood Mac. It was a year before Saturday Night Fever fever would sweep the country, of course, so Mac pretty much had the run of the place for awhile, landing Top 10 hit after Top 10 hit with "Go Your Own Way", "Dreams", "You Make Loving Fun" and "Don't Stop". Rumours, of course, spent a staggering 31 weeks at #1 and would go on to win a Grammy for Album Of The Year.

How do you top that kind of success?

Whether you're Hootie & The Blowfish or Fleetwood Mac, the answer to that question is "You don't."

Thus, when the band went from the top of the world back into the recording studio, the idea of a double-album was already in the works.

Mick Fleetwood had indicated as much in a 1978 Rolling Stone interview, saying "We feel that we've got enough material. If there's any filler, then we wouldn't dream of doing it. But that's an exciting thing to at least attempt. It stimulates everyone and it's a challenge. You don't just knock out another album. It's like a real commitment."

Several months and a million dollars later, indeed, the band emerged with a double-album entitled Tusk.

Upon its release, however, it was viewed as quite a disappointment and, while it did go to #1 in the UK, it stalled at #4 in the US, selling only two million copies.

The band, of course, soldiered on for a successful US tour and, in hindsight, Tusk has come to be regarded as a masterpiece - a last snapshot of the laid back excess of the 70's just before disco erupted into the mainstream.

I personally think it is Lyndsey Buckingham's finest collection of work. His production creates a textural ebb and flow that ties these disparate songs and personalities together into a loosely conceptual experience.

Live, of course, he was without equal, displaying some serious guitar prowess and urging the band on each night to reach new heights. Here are some tracks from the band's rehearsals for the tour, and from the tour itself.

Angel
Don't Stop
Go Your Own Way
I'm So Afraid
Landslide
Oh Well
Over And Over
Sara
Save Me A Place
Sisters Of The Moon
The Chain
The Ledge
Tusk
World Turning

Tuesday, July 08, 2008

Cover Of The Day: Nirvana "Do You Love Me"


Nirvana doing my favorite KISS tune, "Do You Love Me". I especially love the part where Kurt changes "money honey" to "Mudhoney" in honor of his Seattle brethren.

Do You Love Me

Album Sides: Cheap Trick's "The Doctor" (side two)




After the near-hit that was 1985's "Tonight It's You", longtime fans of the band were hopeful the band's next record would return them to their rightful place on the charts. The Doctor, however, blew whatever momentum the band may have had and longtime fans of Cheap Trick got to witness their heroes reduced to either opening act status (I saw them open for Ratt in, of all places, Chicago) or headlining club act.

In early '87, though, Nielsen and original bassist Tom Petersson convened at Nielsen's place for what the band called "songwriting sessions". A few months later, Petersson returned to the band and the rest, as they say, is history.

Kiss Me Red
Take Me To The Top
Good Girls Go To Heaven
Man-U-Lip-U-Lator
It's Only Love

And for those who've bothered reading this far, here are some bonus tracks for your enjoyment (taken from the band's 2007 Hollywood Bowl Sgt. Pepper's tribute concert)

She's Leaving Home
Golden Slumbers/Carry That Weight/The End

Monday, July 07, 2008

Cover Of The Day: Coldplay "Lips Like Sugar"


My mention of Echo & The Bunnymen in the U2 Alternate Joshua Tree post got me thinking...have you guys heard Coldplay's live version of Echo & The Bunnymen's "Lips Like Sugar"?

I'm completely over Coldplay, of course, but "Lips Like Sugar" is one of my favorite songs and they do a decent job on it.

So, anyhoo, enjoy!

Coldplay - Lips Like Sugar

Album Sides: Cheap Trick's "The Doctor" (side one)


As if such a thing even needs to be pointed out, Cheap Trick are my abso-fave band of all-time. Nobody else even comes close.

From the moment I became aware of their existence, I devoured every note they ever recorded and salivatingly anticipated each new release as a Bible-thumper awaits the coming of Ye Great Maker Of Wine From Water.

Starting with 1980's All Shook Up, though, each new Cheap Trick record seemed to be a little less essential than the one before. I mean, the very idea of Cheap Trick and George Martin in the same studio together...yet, why the need for such filler as "Who D'King?" or "High Priest Of Rhythmic Noise"?

When Petersson left the band soon after that album's release, the band entered what many fans feel to be their least productive period, hereto referred to as the "Jon Brant Years".

Nothing against Brant, of course, but his last record with the band, 1986's The Doctor, was, without a doubt, Cheap Trick's creative nadir.

Like every album since Dream Police (the first new record to be released after I got into the band), I rushed to the store the day of its release, slapped my cash on the counter, then made a bee-line for the nearest stereo.

My first impression of The Doctor?

If you were to ask my college roommate, it was one of absolute confusion. He, of course, was a huge Bruce Springsteen fan and hated Trick so he was laughing his ass off as each new tune filled the room. By "Good Girls Go To Heaven", I was nauseous.

By "Man-U-Lip-U-Lator", I thought maybe CBS had put the wrong album in the sleeve (like the time I bought Judas Priest's Unleashed In The East and found a Kenny Loggins album inside), but since the songs matched the titles printed on the back cover, that was a no-go.

The Doctor, like much of the band's output during the "Jon Brant Years, is currently out-of-print. For those wanting to take a listen, I'm posting Side One today, and Side Two tomorrow.

It's Up To You
Rearview Mirror Romance
The Doctor
Are You Lonely Tonight?
Name Of The Game

Truth be told, there are some okay tracks on the album, but the ham-fisted production by metal maven Tony Platt buries them completely in cheesy synths and sludgy guitars.

U2 Alternate Joshua Tree



For anyone who was there, 1987 was a great year in music - perhaps the last truly great year ever. In addition to debut albums by the likes of Jane's Addiction and Guns 'n' Roses, U2 released "The Joshua Tree" and completed their transformation from up-and-coming Irish band (for lack of a better term) to international superstars.

A few years prior, you could mention bands like Echo & The Bunnymen and Simple Minds in the same breath as U2. All three were part of the "new wave" of overseas bands leading the charge into America.

Once the video for "With Or Without You" hit MTV airwaves, though, U2 would leave their brethren in the dust. Island Records put everything they had behind the record, and justifiably so - unlike today, where labels think sinking millions into a promo campaign can turn a turd into a gold or platinum record. The result was the band's first #1 album. And the cover of Time magazine. And the year's hottest tour.

Considering the complete lack of substance found in today's hitmakers, its quite astounding to recall that U2 was building upon their already considerable success with an album that was easily their most esoteric, most politically challenging work. To see a sold-out stadium of fans lose their minds to a song like "Mothers Of The Disappeared"? Incredible.

Where The Streets Have No Name
I Still Haven't Found What I'm Looking For
With Or Without You
Bullet The Blue Sky
Running To Stand Still
Spanish Eyes
In God's Country
Trip Through Your Wires
One Tree Hill
Exit
Mothers Of The Disappeared
Sweetest Thing

Adler's Mom is Out Of Her Mind



Came across this auction on eBay. Seems former GNR drummer Steven Adler's mom is selling "his" Las Vegas condo on the auction site. Problem is, she has started the bidding off at a highly misguided $750,000.

First off, this is not Steven's place, it's her place. The wording is just vague enough to attempt to mislead, but fails, as it is revealed in the item description that she is selling the place so she can move back to L.A. to work on a book detailing Steven's rise and fall.

The pictures, of course, are all one needs to see to know it ain't Steven's place. Total old lady decor throughout, right down to the Wal-Mart TV tray.



Did we mention the place comes furnished? Eww.

So, anyhoo, today's He's A Whore Six-Pack is dedicated to the almighty Guns 'n' Roses. These tracks are from a 1986 show at L.A.'s Roxy.


Jumpin' Jack Flash
Mama Kin
Heartbreak Hotel
Think About You
Welcome To The Jungle
Don't Cry